‘Sorry, Baby’ I Won’t Shut Up About This Film
Zoe Washington '29 reviews 'Sorry, Baby,' Eva Victor's directorial debut.
Independent Newspaper of Swarthmore College Since 1881
Can AI make Art?
At a time when AI is gradually taking over industries, the entertainment industry responds by producing an AI actress.
Reflecting on “Familiar Touch”: A Quiet Portrait of Memory and Aging
Alissa Lopes '29 writes on "Familiar Touch," produced by Matthew Thurm '10 that captures memory's tragic, yet poetic beauty.
Light, Color, and the Space in Between: In the Studio with Chris Guerrero Beltrán ’26
Emery Dong '27 interviews senior art major Chris Guerrero Beltrán ’26 for Artist of the Week!
My Concerns about Jeremy Allen White’s (JAW) Springsteen
Is casting Jeremy Allen White in “Deliver Me From Nowhere” a good idea? Check out this new critique to figure out!.
GSC’s Rocky Horror Picture Show: Celebrating Tradition and Fishnets
Stay tuned for Rocky Horror on Oct. 30, 11 p.m. at Olde Club!
Let’s Talk About It: “Materialists” and Celine Song’s Gentle Parenting
Check out the film review for "Materialists", featuring Dakota Johnson, Chris Evans, and Pedro Pascal
Jafar Panahi and the Importance of the Cinema of Resistance
It wasn't just an accident. Olivia Huang '29 discusses Jafar Panahi's influence on cinema of resistance.
Artist of the Week Mudia Atekha ’26 On Being True to Yourself
Mudia Atekha '26 discusses being true to yourself, directing, Marvel, economics, and more.
Let’s Talk About “Sinners”: A Tragic Portrayal and Celebration of Freedom
A visually stunning and captivating feature film, “Sinners” has played in theaters for less than two weeks and has already become a record-breaking hit. In just 48 hours, “Sinners” earned over $45 million at the box office and became the first horror