A visually stunning and captivating feature film, “Sinners” has played in theaters for less than two weeks and has already become a record-breaking hit. In just 48 hours, “Sinners” earned over $45 million at the box office and became the first horror
Le Voyage de Talia (2022) is a bilingual, 80 minute Belgian/Senegalese film in Wolof and French by director Christophe Rolin. The film was nominated for two awards at the African Movie Academy Awards. It follows nineteen-year-old Talia, an Afro-Belgian, on her first
Vaidehee Durgude ’25 walked into the East side of Shane lounge where I had settled myself with my various interview materials. She introduced herself, shook my hand, and sat down with the casual, self-possessed confidence of someone completely comfortable with her surroundings.
How can a director explore ethical considerations of murder, spiritual complications of immortality, altruistic treatment of non-human life, and duplication of identity in under 140 minutes? How can an opening scene spark profound compassion, sadness, and understanding of humanity? Bong Joon Ho,
On Saturday, March 22, artist and documentary filmmaker Sharon Hayes came to Swarthmore’s campus for a screening and discussion of her most recent work, “Ricerche: four.” The fourth of a series of documentaries centering on questions of gender and sexuality, the film’s
Robert Eggers’s deeply enriching “Nosferatu” (2024), a darker and more devastating retelling of Dracula in fierce longing and yearning. Eggers’s production adapts the 1922 silent horror film of the same name. The film follows a newly-wedded couple, Ellen and Thomas Hutter (Nicholas
Why did Nicole Kidman want to be “Babygirl”? In an Actors on Actors conversation with Zendaya, Nicole Kidman commented: “As soon as I heard it was called ‘Babygirl,’ I thought, ‘I’m in.’” Historically, Kidman has been in films with a strong philosophical