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Sharon Hayes Screens “Ricerche: four,” Exploring Queer Elders’ Identity

On Saturday, March 22, artist and documentary filmmaker Sharon Hayes came to Swarthmore’s campus for a screening and discussion of her most recent work, “Ricerche: four.” The fourth of a series of documentaries centering on questions of gender and sexuality, the film’s

April 3, 2025

Arts

Let’s Talk About It: The Unbridled Passion and Darkness of “Nosferatu”

Robert Eggers’s deeply enriching “Nosferatu” (2024), a darker and more devastating retelling of Dracula in fierce longing and yearning. Eggers’s production adapts the 1922 silent horror film of the same name. The film follows a newly-wedded couple, Ellen and Thomas Hutter (Nicholas

March 20, 2025

Arts

Let’s Talk About Why Nicole Kidman Wanted to Be Babygirl

Why did Nicole Kidman want to be “Babygirl”? In an Actors on Actors conversation with Zendaya, Nicole Kidman commented: “As soon as I heard it was called ‘Babygirl,’ I thought, ‘I’m in.’” Historically, Kidman has been in films with a strong philosophical

February 27, 2025

Arts·Arts & Features

‘The Substance’: A Tragedy on The Desire for Admiration

“The Substance,” directed by Coralie Fargeat, exposes the desperate unease and sense of inadequacy society instills in women. The film takes its viewers on a wild ride of internal reflection and bizarre symbolism. It follows a washed out actress, Elizabeth, who is

February 6, 2025

Arts·Arts & Features

How Robert Zemeckis’ Contact (1997) Explores Creation

Robert Zemeckis’ Contact (1997) raises several questions about creation. Instead of the universe’s inception, the movie focuses on the beginning of extraterrestrial life and first contact. Ellie Arroway, the protagonist, constructs a device to meet aliens. When she finally sees them, the

November 9, 2023

Arts·Arts & Features·Highlights

Claude Lanzmann’s Shoah (1985): The Possibility of Art After The Holocaust

“If there had been – by sheer obscenity or miracle – a film actually shot in the past of three thousand people dying together in a gas chamber … I would have preferred to destroy it. It is not visible. You cannot look

November 2, 2023

Arts·Arts & Features·Highlights

Miranda July’s The Future (2012): On Loneliness

This article contains spoilers for The Future (2012). Gabriella (Isabelle Acres) digs a hole in the ground. Sophie (Miranda July), an unemployed dance teacher in her 30s, looks at her. Gabriella instructs her to act naturally and turn around to wave to

October 5, 2023

Arts·Arts & Features

From Flipping Coins to Clipping Toenails: Stoppard’s Absurdist Take on Hamlet

To fully understand the behind-the-scenes of Hamlet would be to venture into Shakespeare’s mind. While it may seem impractical, Tom Stoppard’s Rosencrantz and Guildenstern are Dead achieves the seemingly impossible by satirizing the lives of two nonessential characters in Hamlet: Rosencrantz and

October 5, 2023

Arts

Indiana Jones and the Death of Film Discourse

It’s time we erase the distinction between “high” and “low” art when it comes to film. When we think of the former category, we may think of cerebral, twisty, dark, or emotionally exhausting films that win awards we didn’t even know existed.

April 27, 2023

Arts

A Review: Quenching a “Thirst” for Vampire Films

Sorry, “Twilight” fans, “Thirst” (2009) is the best modern-day vampire film. Having come out only a year after the kickstarter to the fan-favorite franchise, Park Chan Wook’s psychological thriller demonstrates what a true paragon of vampire film looks like, delivering a bizarre

February 9, 2023

film

Sharon Hayes Screens “Ricerche: four,” Exploring Queer Elders’ Identity

Let’s Talk About It: The Unbridled Passion and Darkness of “Nosferatu”

Let’s Talk About Why Nicole Kidman Wanted to Be Babygirl

‘The Substance’: A Tragedy on The Desire for Admiration

How Robert Zemeckis’ Contact (1997) Explores Creation

Claude Lanzmann’s Shoah (1985): The Possibility of Art After The Holocaust

Miranda July’s The Future (2012): On Loneliness

From Flipping Coins to Clipping Toenails: Stoppard’s Absurdist Take on Hamlet

Indiana Jones and the Death of Film Discourse

A Review: Quenching a “Thirst” for Vampire Films

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