Eyes Wide Open: A Review of ‘You Can See Everything’
A review of the documentary “You Can See Everything”
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Artist of the Week: Lucia Pachynski-Hoopes ’27 Lets Her Walls Down
Actor Lucia Pachynski-Hoopes ’27 on rediscovering the joy of theater through improv and finding balance between embodying characters and being herself.
Shared Space: A Review of ‘What’s the Time Back Home’
A review of “What’s the Time Back Home,” a devised theater performance that looked into the shared experience of international students, featuring Swarthmore students on campus.
‘Why Haven’t You Blown up a Pipeline Yet?’
A review of Daniel Goldhaber’s 2023 film “How to Blow Up a Pipeline” and 2026 director Q&A at the Bryn Mawr Film Institute.
Spoiler Alert: Does ‘The Social Reckoning’ Deserve a Like?
This week, “Spoiler Alert” asks whether Sorkin's "The Social Reckoning" functions as a good sequel.
A Man and a Room Are All You Need: Review of ‘Sea Wall’ Starring Andrew Scott
A review of Simon Stephens’s one-man play “Sea Wall,” starring Andrew Scott in a limited run at Studio Seaview.
Artist of the Week: Mirabel Fernald ’27 and the Cyclical Journey of Sculpture
Sculptor Mirabel Fernald ’27 reimagines waste and impermanence through art, and gives a second life to what the world throws away.
PHOEBEDELPHIA! Phoebe Bridgers’ ‘The Lost Tour’ Takes South Philly by Storm
A review of Phoebe Bridgers’ “The Lost Tour” in Philadelphia
Artist of the Week Oliver Kim ’27 Plays the Biggest, Brassiest Thing
Trombonist Oliver Kim ’27 embraces the spontaneity of life in his jazz music
‘The Black Cowboy’: Cooper Series Film Premieres on Campus
Filmmaker Charles Perry premiered his documentary “The Black Cowboy” as part of the 2026 Cooper Series.