Ever since 2008’s “The Dark Knight,” the (controversial, but generally dumb) question of whether superhero movies could be considered “Oscar worthy movies” has been posed. This question has only become more relevant, given that 2008 also birthed the omnipresent Marvel Cinematic Universe
Part 0: With the 94th Academy Awards in our rearview mirrors, it seems as good a time as any to harken back to prior cinematic masterpieces rightfully recognized by the Oscars. One film in particular stands out as not only igniting my
The last film I reviewed, The French Dispatch, was a compilation of journalistic stories. This week’s film is an anthology of a very different nature. The House (2022) is a British stop-motion animation comprising three distinct sections, each with a different director
When June Shin ’25 was looking into colleges as a high schooler, he tried to hunt down institutions that had a student-run cinema club. An aspiring filmmaker, Shin wanted to find a place where he could practice writing and producing films. Swarthmore
Last fall, my boyfriend went to see The French Dispatch with five of his friends and one of their fathers, who was visiting. Halfway through, he looked over to find that all six of them had fallen asleep. Now perhaps this is
I briefly mentioned “Knives Out” in my last review and have been too busy to watch anything new since “Locke and Key,” so I’m happy to use this as an excuse to talk about one of my favorite movies. “Knives Out” is
**Content Warning: Though this article will only briefly mention these, the film has two scenes of sexual violence, suicide, and incest. There are also other violent and gory scenes. Find a complete list of warnings here. Be careful if/when watching. This review
As September starts and the temperatures gradually begin to cool, we see the beginnings of a new season: the spooky season. A time of horror films, pumpkins, and the all-important holiday: Halloween. Though the parties and events that usually come with the
If there was a magical room that could grant your deepest wish, would you seek it out? The answer, for the three main characters in Andrei Tarkovsky’s “Stalker” (1979), is a grim yes. Two of them, known only as the Professor and
In “Stories of our Lives,” the Nest Collective — an art collective based in Kenya — takes on an inspiring approach in narrating the experiences of the LGBTQ community in Kenya. What initially started as an oral project led to the production
