Olivia Huang '29 argues that the concerning prevalence of political censorship targeted at artists should be directly linked to corporate consolidation and collusion -- a phenomenon which has disturbing consequences for artistic freedom of expression.
In this edition of Swat Says, students reflect on their personal writing process, discuss their academic direction from years past, and suggest how the school should repurpose Clothier Hall.
Arman Hanifpour '27 argues that we should be more less quick to reflexively condemn the idea of regime change, whether it comes to something as mundane as the Swarthmore Dining Hall or as consequential as war in the Middle East.
In this edition of Swat Says, students share their opinions on changes happening around campus and discuss under what circumstances they would share their most vulnerable thoughts.
Jacob Velarde '27 highlights the often overlooked history of progressive politics in Texas and argues that this legacy of economic populism presents the way forward for Southern Democrats.
Lily Zavin '29 shares her experieces with political organizing over the summer and emphasizes the importance of remaining hopeful, continuing to fight for an inclusive democracy, and pursuing a politics grounded in community engagement.
Maria Victoria Almarza '28 argues that Swarthmore must reckon with the emergence of generative AI, the continued tolerance of which undermines Swarthmore's commitment to environmental and social justice.
Opinions Editor Nasrin Ahmed ’28 dives into the discourse around discussions at Swarthmore, arguing that Swat students too often abandon the liberal arts ideal of collaborative classroom engagement in favor of performative self-absorption and one-upmanship.
In this special edition of Swat Says, the Phoenix Editorial Board shares their opinion on a variety of topics concerning the Swarthmore community and the newspaper and offer advice to new students.