review - Page 13

Baseless confidence: Tao Lin’s “Taipei”

In praise of James Joyce’s “Dubliners”, Ezra Pound wrote, “since de Maupassant we have had so many people trying to write ‘stories’ and so few people presenting life.” Perhaps Pound would have liked Tao Lin. He certainly does his best in Taipei
September 12, 2013

Gone Girl: The poetry of manipulation

You’ve heard the story before. A perfect couple is happily married; husband works while wife stays home. One day, when husband arrives at the house, his beautiful wife has disappeared. Police investigate and the media descends, but we all know exactly who
September 12, 2013

A Novel and Authorial Mystery Worth Solving

The Cuckoo’s Calling by Robert Galbraith (a nom-de-plume of J.K. Rowling) is a carefully crafted London-based detective novel that succeeds in building and sustaining intrigue despite a slow rhythm. Of course, the gradual acceleration makes sense for a book that is an
September 5, 2013

Songs of Summer Blur Lines and Taste

Two situations shaped my understanding of the “Songs of Summer 2013.” The first: commuting to my internship by car every day and having complete control over listening to “Same Love” or the Bee Gees (I tend to choose the latter). The second
September 5, 2013

Theater Review: Production Ensemble’s “Three Sisters”

Production Ensemble’s Three Sisters, by Anton Chekhov, was incredible. The show was performed on LPAC mainstage this past weekend, with an exceptional cast, a huge set, and Russian music that blasted over loudspeakers between acts. The costumes, particularly the soldier’s uniforms, were
April 11, 2013

“Awkward.” Overcomes Teenage Cliches

Sometimes the best discoveries are accidental.  Some time ago, iTunes was giving away free downloads of the pilot episode of MTV’s “Awkward.”, a show I knew little to nothing about.  I figured that I had nothing to lose from a free download,
April 11, 2013

Disclosure: Proper Garage, Boiled Down

Dance-pop duo Disclosure clearly knows what they’re doing.  The pair has successfully integrated the tropes of the UK’s underground dance music into poppier structures, allowing the band to break into the UK’s top-40 charts and set them on the precipice U.S. of
March 21, 2013
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