When I was listing the films to watch for Philadelphia Film Festival in late October, I couldn’t help noticing a critically acclaimed Chinese film that was proudly selected to compete for the Palme d’Or at the Cannes Film Festival this year. “The
Content warning: Nuclear meltdown, self-destruction. Spoilers ahead The post-apocalyptic Neo-Tokyo painted by the creators of “Akira” features Blade Runner-esque neon buildings, fanatic cults worshipping the mysterious “Akira,” violent anti-government street protests, and Tetsuo and Kaneda’s slick, crowbar-wielding bike gang. “Akira” is an
Bong Joon-ho is one of Korea’s most prolific and accomplished filmmakers. He is most well known for his big-budget English-language films, e.g., “Snowpiercer” (2013) and “Okja” (2017), but his Korean-language movies are what I consider to be his most interesting and grounded