Carolina Lopez ’25 delights in reconnecting with her inner child. In fact, Carolina actively searches for opportunities in unfamiliar contexts, embracing a childlike perspective in her daily life: “The thing I love about kids is that they’re seeing the world for the
The first time I stepped into Old Tarble, sunlight streamed through the windows, catching dust motes and making the studio feel alive: light, glowy, and full of possibility. Here, I met Logan Grider, my professor for Painting II: Color and Structure, whose
“Anora,” written and directed by Sean Baker, is a five-time Oscar winner, taking Best Picture at the 97th Academy Awards. Mikey Madison, who plays the title character Anora, made history as one of the youngest to win Best Actress in a Leading
Over spring break, I traveled throughout the American South. I was particularly interested in visiting locations of literary importance. I originally planned to write about diversity in Southern Gothic literature. After visiting William Faulkner’s house in Oxford, Mississippi, and Harper Lee’s hometown
Nostalgic and melancholic, the poetry of Yan Jidao in “XiaoshanCi” is characterized by its meticulous observation of the natural world – of rivers, mists, and flowers that embody human love and loss. Often, the narrator is a girl wandering alone in an
“My concern in theater, in processes, in telling stories, is the pursuit of truth. With that sincerity, what is the story I actually have within me to tell?” If I could introduce Sophia Pereda-Echeverry ’25, they’re an Honors special major in dance
Robert Eggers’s deeply enriching “Nosferatu” (2024), a darker and more devastating retelling of Dracula in fierce longing and yearning. Eggers’s production adapts the 1922 silent horror film of the same name. The film follows a newly-wedded couple, Ellen and Thomas Hutter (Nicholas
The first thing you notice stepping into James Ijames’s production of “King Hedley II” at the Arden Theatre in Philadelphia is the eye. Painted on the set’s far center wall and illuminated by a warm yellow light, that eye immediately tells us
“I’m Still Here” is a stunning, two-hour family drama by Brazilian director Walter Salles. The film is set in 1970s Rio de Janeiro during the early days of Brazil’s military dictatorship (1964-1985). The film is based on the 2015 memoir of Marcelo