We Need More Artistic Diversity in Museums

Art and history are intrinsically intertwined, as history, whether it be that of ancient societies or the modern day, is exhibited within artworks left behind. One of the most important jobs art has, then, is the preservation and exportation of history. It

Race and the Built Environment: Professor Goldstein’s Summer Research

Brian Goldstein, assistant professor of art history at Swarthmore College, explores the topics of architectural history, modern architecture and planning, and the intersections between race and the American built environment in the courses he teaches. This summer, he continued research for his

Sharon Gerstel Examines Light in Art and Architecture

“The church shines with its middle part brightened, for bright is that coupled with the bright, and bright is the noble edifice which is pervaded by the light” quoted UCLA Professor of Byzantine Art and Archaeology Sharon Gerstel from patron of architecture

Grider talks hot wax, flotsam, and Assyrian reliefs

Assistant Professor of Studio Art Logan Grider spent much of his sabbatical on an Irish beach at low tide, digging up plastic. He and his two young sons would carry bags of refuse — broken bottles, torn children’s Wellingtons, fragments of fishing

Tess Wei interns at Philadelphia’s Barnes Foundation

Located in the heart of Philadelphia’s museum district on Benjamin Franklin Parkway, the Barnes Foundation is a unique collection featuring over 2500 objects that span different mediums and cultures. While there appears to be a focus on Impressionist and Modernist paintings, galleries

Blake Oetting meets Medieval Art at the Met

This summer, as Swarthmore students left campus to pursue various jobs and internships, art history major Blake Oetting ’18 traveled to New York City for an internship at The Metropolitan Museum of Art. Working primarily at The Met Cloisters in Upper Manhattan