Hacked Super Mario Brothers. Pillow-shaped silver balloons. Velvet flowers. Dr. Scholl’s Corns. Cat litter. Urine as paint. Cellophane-wrapped candy. All this, and a dizzying amount more, await visitors to “Regarding Warhol: Sixty Artists, Fifty Years,” the Metropolitan Museum of Art’s latest blockbuster
In the hyper-commercialized world of today, nearly every museum that visitors enter thrusts useless but appealing merchandise into their patrons’ faces, giving them more opportunities than they could possibly want or afford to buy artsy trinkets. Museums no longer consist of an
“The human form is a very complex form [through which] to study light and value and volume… every drawing lesson you could possible desire to teach a student could be taught by that subject.” Such is the reason, according to Logan Grider,
The high school prom does not usually provide fodder for larger issues of societal representation. It typically entails dancing, hijinks and perhaps tomfoolery — or does it? “Prom: Photographs by Mary Ellen Mark,” on view now through October 28 in the Julien
“Visions of Arcadia,” on view at the Philadelphia Museum of Art in the Dorrance Special Exhibition Galleries through September 3, attempts to demonstrate the profound influence of Arcadia, as described by Virgil in his Eclogues, on French artists throughout history, beginning with
