This past Friday, April 5, the art and art history department’s sixth annual pARTy brought Swarthmore staff, faculty, and students together to enjoy food trucks and live music while viewing the art installations from students in ceramics, painting, drawing, photography, and sculpture.
I first came across a Paul Gauguin painting at the Barnes Foundation. I was astounded to see Gauguin’s depictions of Tahitian coastlines juxtaposed starkly against the peachy nudes of voluptuous English women and the intricate Dutch wrought-iron metalwork. In each gallery at
In 1966, Omaha-born, L.A.-based artist Ed Ruscha began self-printing 5,000 copies of one of his few art books, “Every Building on the Sunset Strip.” While printed cheaply and intended to break free from the constraints of fine art books, “Every Building on
PERCEPTICON, a three room, audio-visual exhibition challenging visitors’ unconscious reception habits, will be on display in Beardsley Hall from October 26 through October 28. The rooms will confront a variety of contemporary issues, including gender, class, race and sexuality, cross-cultural communication, power,
Brian Goldstein, assistant professor of art history at Swarthmore College, explores the topics of architectural history, modern architecture and planning, and the intersections between race and the American built environment in the courses he teaches. This summer, he continued research for his
Editor’s note: This article was initially published in The Daily Gazette, Swarthmore’s online, daily newspaper founded in Fall 1996. As of Fall 2018, the DG has merged with The Phoenix. See the about page to read more about the DG. Ambling into
