It was a windy, gloomy night, and four audience members sat under an outdoor tent on plastic chairs pointed at a Kohlberg classroom window. Watching from the outside in, we wore headsets that transported us into the ultra-minimalist yet intimate aesthetic of
Marketed as a webinar aimed to change your life, I knew little of The Theater of All Possibilities prior to entering the show. Swarthmore’s website seemed intent on keeping me in the dark, describing TOAP as “a method, a community, and a
Overview of Virtual Performances In Barcelona this July, a string quartet performed to an audience of plants, while the hit Broadway musical “Hamilton” was released for streaming in July. In this period of disruption due to the pandemic, directors of music and
You’re probably familiar with the number one rule of improvisation: “yes, and.” While scripted, the absurdist dialogue of The Bald Soprano indulges in no such formalities of agreement. The six characters of Eugene Ionesco’s play ignore the laws of language, contradicting both
“Earthquakes in London,” written in 2010 by British playwright Mike Bartlett, is a pro-divestment family drama that stretches from 50 years in the past to 500 years in the future. The show is set in London, where there may or may not
Fear not, Students of Swarthmore. Your weekends of plodding wearily from a highly contentious frat party to a socially acceptable Paces party are over. Those moments of gazing mournfully at LPAC on your way from the Science building to Sharples, wishing that
