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“The House” (2022) Review

The last film I reviewed, The French Dispatch, was a compilation of journalistic stories. This week’s film is an anthology of a very different nature. The House (2022) is a British stop-motion animation comprising three distinct sections, each with a different director
March 17, 2022

The Resurrection of Cinema Club

When June Shin ’25 was looking into colleges as a high schooler, he tried to hunt down institutions that had a student-run cinema club. An aspiring filmmaker, Shin wanted to find a place where he could practice writing and producing films. Swarthmore
March 3, 2022

The Problem with “The French Dispatch”

Last fall, my boyfriend went to see The French Dispatch with five of his friends and one of their fathers, who was visiting. Halfway through, he looked over to find that all six of them had fallen asleep. Now perhaps this is
February 3, 2022

Spooky Season: Devil’s Advocate

**Content Warning: Though this article will only briefly mention these, the film has two scenes of sexual violence, suicide, and incest. There are also other violent and gory scenes. Find a complete list of warnings here. Be careful if/when watching. This review
October 2, 2020

Spooky Season: Killer Klowns from Outer Space

As September starts and the temperatures gradually begin to cool, we see the beginnings of a new season: the spooky season. A time of horror films, pumpkins, and the all-important holiday: Halloween. Though the parties and events that usually come with the
September 17, 2020

“Stories of our Lives” or the Queer Kenyan Experience

In “Stories of our Lives,” the Nest Collective — an art collective based in Kenya — takes on an inspiring approach in narrating the experiences of the LGBTQ community in Kenya. What initially started as an oral project led to the production
March 5, 2020

Escaping and Searching in “The Wild Goose Lake”

When I was listing the films to watch for Philadelphia Film Festival in late October, I couldn’t help noticing a critically acclaimed Chinese film that was proudly selected to compete for the Palme d’Or at the Cannes Film Festival this year. “The
December 5, 2019
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