Throughout my multimedia documentary project “Glass Door” (parts of which have been featured in two previous Phoenix issues), I have become increasingly interested in not only how one’s work informs identity, but how the identities of workers inform the overall culture of
In 1966, Omaha-born, L.A.-based artist Ed Ruscha began self-printing 5,000 copies of one of his few art books, “Every Building on the Sunset Strip.” While printed cheaply and intended to break free from the constraints of fine art books, “Every Building on
Over the past two years, I have embarked on a project to visually and textually document women in male-dominated industries. From the start, I had the twofold goal of celebrating women’s accomplishments and creating a platform to share and validate experiences. This
