When I arrived in the lobby of the Frear Ensemble Theater fifteen minutes before “Bella Bateekh in: Out of Mind” was set to start, an usher told me to wait; the show hadn’t started yet, and no one could go inside and
You’re probably familiar with the number one rule of improvisation: “yes, and.” While scripted, the absurdist dialogue of The Bald Soprano indulges in no such formalities of agreement. The six characters of Eugene Ionesco’s play ignore the laws of language, contradicting both