It was 2:00 a.m. on Saturday, March 2nd, and a wall of round analog clocks, all ticking away and gradually running their circuit, stood adjacent to the entrance of the Frear Ensemble Theater. The clock in the center of the wall had
You’re probably familiar with the number one rule of improvisation: “yes, and.” While scripted, the absurdist dialogue of The Bald Soprano indulges in no such formalities of agreement. The six characters of Eugene Ionesco’s play ignore the laws of language, contradicting both