Last semester, I interviewed my first dancer and dear friend, Gabrielle Nash ’26. Despite being captivated by her incredible moves and even better attitude, I noticed a name kept on appearing in our audio transcript: Elpiniki Tsapatsaris ’24. Ellie is an integral
Last week, I received my first nomination for Artist of the Week. I was a bit surprised because I tend to reach out first. Lucy Tobier, our News Editor, emailed me that Jules Kyung-Lee Zacheis ’24 had received several community requests. Understandably,
The first time I saw Paris Kampel’s ’27 work, I was hanging up pieces for the annual first-year art show in Kitao, our student-run art gallery. I held her skateboard in my hands with sheer awe. Her colors were fluorescent, her skin
About a week ago, Benelli Amosah ’24, and I were chatting in the elevator as we often do. I was curious about the trolley of camera equipment parked outside her room, so I naturally wanted to know why. To my surprise, Benelli
I met Ark Lu ’24 in our Painting III: Materials and Methods class. It was led by Visiting Assistant Professor Dani Levine. When I walked in for our first critique, our studio space had dozens of abstract calligraphy “experiments” scattered among the
The first sentence I ever uttered to Natalie Fraser ’24 was “Great job in Moco!” after her killer Mixed Company acapella performance last spring. She naturally commanded the stage, just as she does in our Poetry Workshop with English Professor Betsy Bolton.
The first time I met Gaylin Davey ’25, she asked me to be in her Swarthmore promotional video. She, like me, worked for the Communications Office. But, unlike me, she preferred to be in front of the camera. Rather, I opted for
I met Tanisha Dunac ’25 when I was rushing to our Poetry Workshop led by English Professor Betsy Bolton. I sat next to her, fangirling over her collected friendliness. I admired her nonchalant chillness: she lightheartedly giggled, holding a stack of papers.
When Noor Ahmed ’26 FaceTimed her mom during the first week of orientation, the two of us excitedly gushed over her Procreate art. Noor has always been very humble about her work as someone who has never received formal training. Moreover, Noor
A year ago, Alexa Moretti ’24 and I were in the same Painting I course. I remember being stunned, strolling into Old Tarble and seeing her insane textured paintings lightly perched on the high walls. Everything she painted seemed so effortless, ambitious,