Kari Olmon

Bodas de Sangre (Blood Wedding) surges with passion and poetry, and McFeely Sam Goodman's original production vividly captures the turbulent desires and fears of characters plunging towards a shared catastrophe. The Honors Directing Thesis of Goodman '10 situates Federico García Lorca's powerful

Invoking all the rollicking charm of a good old-fashioned comedy, _The Butter and Egg Man_ is an affectionate send-up of the theater business and all its vanities, venalities, and thrills. Deftly directed by Anne Coleman ’10, Drama Board’s spring offering immerses the

Divided Together: Hayavadana is a theatrical event of pluralities. As the title suggests, Hayavadana explores themes of division and reconciliation, and the Department of Theater's Production Ensemble presents a multicultural, multisensory, and multilayered staging that engages the audience in a synergetic theatrical

An Oresteia begins with a clattering rush of noise and a burst of live music. As the players file onstage to the wistful strains of "Surfer Girl," it soon becomes apparent that this Oresteia is unlike any other Oresteia. In the grand,