Editor’s note: This article was initially published in The Daily Gazette, Swarthmore’s online, daily newspaper founded in Fall 1996. As of Fall 2018, the DG has merged with The Phoenix. See the about page to read more about the DG. “It’s like
Editor’s note: This article was initially published in The Daily Gazette, Swarthmore’s online, daily newspaper founded in Fall 1996. As of Fall 2018, the DG has merged with The Phoenix. See the about page to read more about the DG. The story
Editor’s note: This article was initially published in The Daily Gazette, Swarthmore’s online, daily newspaper founded in Fall 1996. As of Fall 2018, the DG has merged with The Phoenix. See the about page to read more about the DG. In 1964,
Editor’s note: This article was initially published in The Daily Gazette, Swarthmore’s online, daily newspaper founded in Fall 1996. As of Fall 2018, the DG has merged with The Phoenix. See the about page to read more about the DG. At first
After months of predictions, campaigns, and hand-wringing, Oscar nominations were finally announced last week. Setting aside some disappointing snubs (“Inside Llewyn Davis” only scored two nominations, and “Fruitvale Station” received none) and interesting surprises (“Jackass Presents: Bad Grandpa”? Really?), the competition this
“Catching Fire” accomplishes a remarkable feat: it is a genuinely engaging second installment in a trilogy rather than a slogging sophomore entry of filler content and introductions. An indisputable improvement on the “The Hunger Games”, which was bogged down by exposition and
I hesitate to call “12 Years a Slave” a groundbreaking film, because in 2013 the choice to center a film about slavery on the experiences of black people should not be a groundbreaking one. But “12 Years” did just that, and it
One of the least interesting criticisms one can make of a film is “the original was better!” It is launched at every remake, regardless of whether it is true or not, and the new movie is rarely judged on its individual merits.
Modern masculinity in crisis was all the rage with network’s last season (“Work It” followed men who dressed as women to get jobs, “Guys with Kids” featured guys with kids), and this year studios didn’t buck the trend, implementing another round of
I doubt anyone will ever compare me to Kenneth from “30 Rock” (I’m too bitter and don’t know nearly enough about farming) but we do have one thing in common: we live for television. Love fades, friends grow distant, but TV is