Just the Pit: John Oliver at His Core

January 29, 2015

Editor’s note: This article was initially published in The Daily Gazette, Swarthmore’s online, daily newspaper founded in Fall 1996. As of Fall 2018, the DG has merged with The Phoenix. See the about page to read more about the DG.

You might know him as the hilarious, sarcastic Brit from The Daily Show. You might know him as Bill Maher’s less self-righteous, more journalistic HBO counterpart. You might even know him as the voice of Sandy on Spongebob. John Oliver is two of these.

My roommate surprised me with tickets to see John Oliver perform over an hour of stand-up last Friday at The Tower Theater in Upper Darby. Already a huge fan of his work on Last Week Tonight and The Daily Show, I was thrilled. Despite this immense bias, I will try to keep this review analytical and largely objective.

He was so dope. After a clever and charismatic opening set by comedian Brooks Whelan, John walked onstage wearing nothing but a plaid shirt and a smile. Also jeans and probably underwear and socks and some shoes. Consistent with this casual outfit was his voice throughout the performance; we were not seeing John Oliver the correspondent, or even John Oliver the delightfully biting late night host. We were seeing the John Oliver outside of work, a version perhaps less focused on politics but no less full of energy.

That’s not to say his material was purely personal; one of my favorite bits from the night concerned his anxiety around Britain’s imperialist past and present. He claimed that walking into any museum in England is like visiting an active crime scene: they should just put yellow tape around the whole thing. Oliver, a US citizen, devoted much of his ninety-minute set to critiquing British history and expressing ecstatic appreciation for American weirdness and quirks.

During one of Mr. Oliver’s longer stories, some dude in the very front row stood up, walked into the aisle (less than a meter from the comedian’s face), glanced up at the performer, and began a slow strut into the house, presumably toward a bathroom. John cut himself off mid-sentence to say, “That is the most confident man I’ve ever seen in my life.” For the next five minutes, he abandoned his story and began talking about this man, saying, “I feel like a woman in a bar,” and “what’s going to happen when he comes back?!” Eventually, the anticipation hit its apex: John took the phone from one of the man’s friends in order to call him. With impossibly cinematic timing, Confident Man returned and answered his phone just as he approached the stage. We discovered that the Man’s name was Steve, and after a bit more dialogue, Steve sat down to an immense uproar from the audience. John Oliver showcased his improvisational skills throughout the evening, but this moment was definitely a highlight. In John’s own words to Confident Steve, “I’m going to remember this show for a lot longer than you will.”

Stand-up truly is the backbone of Mr. Oliver’s comedic chops. He is an extremely present, intelligent, quick-witted, and thoughtful performer. His expository satire on Last Week Tonight presents a powerful voice in the media right now, and seeing the performer in his element was a cool insight into how his mind really works. With Oliver’s upcoming season, Stephen Colbert taking over Letterman’s Late Show spot, and Larry Wilmore replacing him on Comedy Central, powerful progressive political voices are starting to dominate late night television. Oliver knows how to write and how to relate to an audience; seeing him in action is both informative and exhilarating. So if you’re into that, or if you just like to laugh, you can see John Oliver on HBO on Sundays at 11pm starting February 8th.

3 Comments Leave a Reply

  1. And don’t forget “The Bugle”! It’s one of John Oliver’s best kept secrets, a weekly thirty-minute podcast with his long-time comedian pal, the exceedingly silly, London-based, John Cleese-like Andy Saltzman. John and Andy take on all political topics of the day without fear or favor. Best of all, it’s free! Be a “Bugler”, download The Bugle today 🙂

  2. “Oliver, a US citizen, devoted much of his ninety-minute set to critiquing British history and expressing ecstatic appreciation for American weirdness and quirks.”

    Factual error: he is not a US citizen.

    I concur with your statement, “He is an extremely present, intelligent, quick-witted, and thoughtful performer.”

    I also second a previous poster’s recommendation of “The Bugle.” It’s an excellent, irreverent, silly podcast. The only bad thing about the new season of “Last Week Tonight” starting is that he will have less time to do episodes of “The Bugle”!

Leave a Reply

Your email address will not be published.

Previous Story

Swarthmore Expands Resources for Low-Income Students

Next Story

Just another hypothetical scenario

Latest from Arts & Features

Community N Growth: Behind the Scenes with Rhythm n Motion

Rhythm n Motion, colloquially referred to as “RnM,” is a Tri-Co dance company between Swarthmore, Haverford, and Bryn Mawr. Created in 2005, the group is rooted in dances from the African Diaspora, though it often includes other dance styles like jazz, hip-hop,

‘The Substance’: A Tragedy on The Desire for Admiration

“The Substance,” directed by Coralie Fargeat, exposes the desperate unease and sense of inadequacy society instills in women. The film takes its viewers on a wild ride of internal reflection and bizarre symbolism. It follows a washed out actress, Elizabeth, who is
Previous Story

Swarthmore Expands Resources for Low-Income Students

Next Story

Just another hypothetical scenario

The Phoenix

Don't Miss