Swat Visually: Weirdest Hook-Up Spots

September 12, 2014

Editor’s note: This article was initially published in The Daily Gazette, Swarthmore’s online, daily newspaper founded in Fall 1996. As of Fall 2018, the DG has merged with The Phoenix. See the about page to read more about the DG.

Here it is folks, exactly what you didn’t want to know about our campus: all the weird spots where your fellow Swatties have hooked up:

View Map of Swattie Hook Ups in a full screen map

While Levi-Strauss may like bifurcating his reality, we’re way past modernism here on campus. Instead, we Swatties understand the greyness of the world and that the “public” and the “private” are really just social constructs. In fact, as each of you engaged in re-appropriations of these regulated spaces, you were probably drawing on classic feminist critiques of the dangers of public/private dichotomies. That or how much you hoped you wouldn’t run into the other person the next morning at parfait bar.

No matter what your reason was, you should all feel proud of accomplishing some feats of true debauchery. While everyone deserves a round of applause, I’d like to highlight some of my favorites:

1. Sharples main room during lunch rush
2. Dorm room, neither person’s, both beds
3. Retaining wall in Sharples driveway

Whoever you three are? Rock on.

For next week, we’ll be looking at what is (or was) the most creative drinking paraphernalia you have used. Answer below:

As always, feel free to comment on any trends or observations we missed and suggest ideas for infographics!

– Swat Visually

Leave a Reply

Your email address will not be published.

Previous Story

Questions surround financial accessibility

Next Story

Amer Ahmed Joins Swarthmore as New Director of the Intercultural Center and Dean of the Sophomore Class

Latest from Arts & Features

Community N Growth: Behind the Scenes with Rhythm n Motion

Rhythm n Motion, colloquially referred to as “RnM,” is a Tri-Co dance company between Swarthmore, Haverford, and Bryn Mawr. Created in 2005, the group is rooted in dances from the African Diaspora, though it often includes other dance styles like jazz, hip-hop,

‘The Substance’: A Tragedy on The Desire for Admiration

“The Substance,” directed by Coralie Fargeat, exposes the desperate unease and sense of inadequacy society instills in women. The film takes its viewers on a wild ride of internal reflection and bizarre symbolism. It follows a washed out actress, Elizabeth, who is
Previous Story

Questions surround financial accessibility

Next Story

Amer Ahmed Joins Swarthmore as New Director of the Intercultural Center and Dean of the Sophomore Class

The Phoenix

Don't Miss