art Archives - Page 10 of 39

Creating, Not Competing

People say that art is a way to “express yourself.” Then why don’t I do it for myself? As a child, the arts were an outlet for me. I was completely authentic to myself while dancing or playing the piano, and I

November 2, 2023

Arts·Arts & Features·Highlights

Claude Lanzmann’s Shoah (1985): The Possibility of Art After The Holocaust

“If there had been – by sheer obscenity or miracle – a film actually shot in the past of three thousand people dying together in a gas chamber … I would have preferred to destroy it. It is not visible. You cannot look

November 2, 2023

Arts·Arts & Features

Funding Graffiti: How Philadelphia Became the Mural Capital of the World

When people think of Philadelphia’s art scene, they jump to the Philadelphia Museum of Art, the Barnes Museum, or the Rodin and their picturesque collections of Monet, Cezanne, and Renoir. While the museums are impressive in their own right, in my opinion,

October 26, 2023

Arts·Arts & Features·Highlights

Dear Readers: In Response to Spike Jonze’s “Her” (2013)

Dear Readers, “’Tis better to have loved and lost / Than never to have loved at all.” – Alfred Tennyson, “In Memoriam A.H.H.” Despite its age, Alfred Tennyson’s quote has cemented its role as an iconic pop culture reference in various media,

October 26, 2023

Arts·Arts & Features

Artist of the Week Shannon Friel ’24 on Authenticity in Language

I pride myself on knowing a lot about my friends (maybe even at times too much), but when Shannon Friel ’24 told me a few weeks ago that she was heavily involved in the theater department, my jaw dropped. Not because I

October 26, 2023

Arts

Environment and Religion in First Reformed

In Paul Schrader’s 2018 First Reformed, violence coexists with despair, punishment, and guilt. However, even in the film’s most brutal violence, hope is nearby. Toller (Ethan Hawke), intending to bomb churchgoers with a suicide vest on the 250th anniversary of the First

October 12, 2023

Arts

The American Imperio

The idea of an “imperio” has laid the groundwork for our modern understanding of an empire. The notion of an imperio dates back to the Roman Republic, in which imperio was used to describe the republic’s growing influence in the Mediterranean basin.

October 12, 2023

Arts·Highlights

Artist of the Week Elisabeth Hartnett on Feeling Nature’s Immensity

When I sat down to interview Elisabeth Hartnett ’26, I realized that my typical script of questions wouldn’t work. My first question asked what subjects she gravitates towards. I expected her to say landscapes or portraits, but was surprised by how she

October 12, 2023

Arts·Arts & Features·Highlights

Miranda July’s The Future (2012): On Loneliness

This article contains spoilers for The Future (2012). Gabriella (Isabelle Acres) digs a hole in the ground. Sophie (Miranda July), an unemployed dance teacher in her 30s, looks at her. Gabriella instructs her to act naturally and turn around to wave to

October 5, 2023

Arts·Arts & Features

From Flipping Coins to Clipping Toenails: Stoppard’s Absurdist Take on Hamlet

To fully understand the behind-the-scenes of Hamlet would be to venture into Shakespeare’s mind. While it may seem impractical, Tom Stoppard’s Rosencrantz and Guildenstern are Dead achieves the seemingly impossible by satirizing the lives of two nonessential characters in Hamlet: Rosencrantz and

October 5, 2023

art - Page 10

Creating, Not Competing

Claude Lanzmann’s Shoah (1985): The Possibility of Art After The Holocaust

Funding Graffiti: How Philadelphia Became the Mural Capital of the World

Dear Readers: In Response to Spike Jonze’s “Her” (2013)

Artist of the Week Shannon Friel ’24 on Authenticity in Language

Environment and Religion in First Reformed

The American Imperio

Artist of the Week Elisabeth Hartnett on Feeling Nature’s Immensity

Miranda July’s The Future (2012): On Loneliness

From Flipping Coins to Clipping Toenails: Stoppard’s Absurdist Take on Hamlet

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