I pride myself on knowing a lot about my friends (maybe even at times too much), but when Shannon Friel ’24 told me a few weeks ago that she was heavily involved in the theater department, my jaw dropped. Not because I
In Paul Schrader’s 2018 First Reformed, violence coexists with despair, punishment, and guilt. However, even in the film’s most brutal violence, hope is nearby. Toller (Ethan Hawke), intending to bomb churchgoers with a suicide vest on the 250th anniversary of the First
The idea of an “imperio” has laid the groundwork for our modern understanding of an empire. The notion of an imperio dates back to the Roman Republic, in which imperio was used to describe the republic’s growing influence in the Mediterranean basin.
When I sat down to interview Elisabeth Hartnett ’26, I realized that my typical script of questions wouldn’t work. My first question asked what subjects she gravitates towards. I expected her to say landscapes or portraits, but was surprised by how she
This article contains spoilers for The Future (2012). Gabriella (Isabelle Acres) digs a hole in the ground. Sophie (Miranda July), an unemployed dance teacher in her 30s, looks at her. Gabriella instructs her to act naturally and turn around to wave to
To fully understand the behind-the-scenes of Hamlet would be to venture into Shakespeare’s mind. While it may seem impractical, Tom Stoppard’s Rosencrantz and Guildenstern are Dead achieves the seemingly impossible by satirizing the lives of two nonessential characters in Hamlet: Rosencrantz and
One of the first times I met Gabrielle Nash ’26, I watched her perform in the Spring 2023 Dance Concert. She was a part of the Contemporary Modern III showcase, and I’ll never forget watching her confidently flow across the stage with
Depicting a Japanese naval ship sinking a Chinese warship during the First Sino-Japanese War, Kobayashi Kiyochika employs a variety of tactics to display his scene in his The Japanese Navy Sinks Chinese Destroyers in the Yellow Sea (1894). Made as a triptych
I visited the Whittier senior studios a few days before my interview with Miranda Kashynski ’’24. I had never seen her work, and upon peering into her cubicle, I saw a bunch of stickers of pigeons lying on her desk. I immediately
Nymphéas, Japanese Bridge, currently displayed at the Philadelphia Museum of Art, was painted by French impressionist painter Claude Monet (1840-1926) circa 1918-26 in Giverny, France. This is one of his final works in his famous Nymphéas (Water Lilies) series and of his