The writers of Swarthmore’s online music publication, The Orpheus Review, aren’t just into music journalism and reviews. Expanding past their original charter, the recently reimagined Review held a music mixer in Parrish’s Big Room on Saturday, Oct. 5. The event brought together
Joey Driscoll ’26 doesn’t need you to tell her she’s holding her violin wrong. Instead of searching for technical mastery and outside approval, you’ll find Joey learning new pieces and collaborating with peers. For emerging musicians, noncompetitive performance and unstructured creativity are