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Arts

Artist of the Week Vaidehee Durgude ’25: Tropes, Photographs, and Documentary Journalism

Vaidehee Durgude ’25 walked into the East side of Shane lounge where I had settled myself with my various interview materials. She introduced herself, shook my hand, and sat down with the casual, self-possessed confidence of someone completely comfortable with her surroundings.

April 17, 2025

Arts

Let’s Talk About “Mickey 17”: The Identity Problem

How can a director explore ethical considerations of murder, spiritual complications of immortality, altruistic treatment of non-human life, and duplication of identity in under 140 minutes? How can an opening scene spark profound compassion, sadness, and understanding of humanity? Bong Joon Ho,

April 10, 2025

News

Sharon Hayes Screens “Ricerche: four,” Exploring Queer Elders’ Identity

On Saturday, March 22, artist and documentary filmmaker Sharon Hayes came to Swarthmore’s campus for a screening and discussion of her most recent work, “Ricerche: four.” The fourth of a series of documentaries centering on questions of gender and sexuality, the film’s

April 3, 2025

Arts

Let’s Talk About It: The Unbridled Passion and Darkness of “Nosferatu”

Robert Eggers’s deeply enriching “Nosferatu” (2024), a darker and more devastating retelling of Dracula in fierce longing and yearning. Eggers’s production adapts the 1922 silent horror film of the same name. The film follows a newly-wedded couple, Ellen and Thomas Hutter (Nicholas

March 20, 2025

Arts

Let’s Talk About Why Nicole Kidman Wanted to Be Babygirl

Why did Nicole Kidman want to be “Babygirl”? In an Actors on Actors conversation with Zendaya, Nicole Kidman commented: “As soon as I heard it was called ‘Babygirl,’ I thought, ‘I’m in.’” Historically, Kidman has been in films with a strong philosophical

February 27, 2025

Arts·Arts & Features

‘The Substance’: A Tragedy on The Desire for Admiration

“The Substance,” directed by Coralie Fargeat, exposes the desperate unease and sense of inadequacy society instills in women. The film takes its viewers on a wild ride of internal reflection and bizarre symbolism. It follows a washed out actress, Elizabeth, who is

February 6, 2025

Arts·Arts & Features

How Robert Zemeckis’ Contact (1997) Explores Creation

Robert Zemeckis’ Contact (1997) raises several questions about creation. Instead of the universe’s inception, the movie focuses on the beginning of extraterrestrial life and first contact. Ellie Arroway, the protagonist, constructs a device to meet aliens. When she finally sees them, the

November 9, 2023

Arts·Arts & Features·Highlights

Claude Lanzmann’s Shoah (1985): The Possibility of Art After The Holocaust

“If there had been – by sheer obscenity or miracle – a film actually shot in the past of three thousand people dying together in a gas chamber … I would have preferred to destroy it. It is not visible. You cannot look

November 2, 2023

Arts·Arts & Features·Highlights

Miranda July’s The Future (2012): On Loneliness

This article contains spoilers for The Future (2012). Gabriella (Isabelle Acres) digs a hole in the ground. Sophie (Miranda July), an unemployed dance teacher in her 30s, looks at her. Gabriella instructs her to act naturally and turn around to wave to

October 5, 2023

Arts·Arts & Features

From Flipping Coins to Clipping Toenails: Stoppard’s Absurdist Take on Hamlet

To fully understand the behind-the-scenes of Hamlet would be to venture into Shakespeare’s mind. While it may seem impractical, Tom Stoppard’s Rosencrantz and Guildenstern are Dead achieves the seemingly impossible by satirizing the lives of two nonessential characters in Hamlet: Rosencrantz and

October 5, 2023

film - Page 2

Artist of the Week Vaidehee Durgude ’25: Tropes, Photographs, and Documentary Journalism

Let’s Talk About “Mickey 17”: The Identity Problem

Sharon Hayes Screens “Ricerche: four,” Exploring Queer Elders’ Identity

Let’s Talk About It: The Unbridled Passion and Darkness of “Nosferatu”

Let’s Talk About Why Nicole Kidman Wanted to Be Babygirl

‘The Substance’: A Tragedy on The Desire for Admiration

How Robert Zemeckis’ Contact (1997) Explores Creation

Claude Lanzmann’s Shoah (1985): The Possibility of Art After The Holocaust

Miranda July’s The Future (2012): On Loneliness

From Flipping Coins to Clipping Toenails: Stoppard’s Absurdist Take on Hamlet

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